#Emcee artist management professional
Jennifer spent 7 years working alongside Liz Penta at Emcee Artist Management on behalf of jazz legends Medeski Martin & Wood, Marc Ribot, Nels Cline and Jenny Scheinman and Americana darlings The Wood Brothers before moving into music production.Īrmed with a deep love for the experimental side of all genres, an obsession with modular synthesis, and years of professional experience in classical, jazz and Americana music, Jennifer brings a well-rounded and unique approach to curating and developing music and sound for brands. Jennifer Fife has been appointed senior producer and music supervisor.Ī native Texan, Jennifer studied classical music and flute performance before moving to NYC to earn a Masters in Music Business from NYU. A transplant from Music City USA to Brooklyn, New York, you can find her in record shops, DJing parties, and scouring house shows and underground showcases all over NYC to find the next best in music. She then oversaw a host of freelance music supervision and production projects before joining the team at SixtyFour Music. She trained and performed small to enterprise level branding, marketing, & strategy for VCs, CEOs, and startups across the US.Īfter being heralded for her taste, continuously consulted for references, and ability to translate edits, Credle saw an opportunity, as a Black and Queer woman, to dive into co-producing commercial music internationally.
#Emcee artist management serial
The most rigorous being under the tutelage of serial entrepreneur Mark Montgomery and Nashville’s business and startup accelerator community.
Her career and work experience spans various areas of the music industry including record labels, artist management and development, new business/startups, live events/touring, and publishing before stepping into the sync world. She continued her music business studies in Nashville, TN at MTSU and international music business overseas at the Popakademie in Mannheim, Germany. Always with the mission of seeking out the best and the most unique in sound, she officially began her career in music at the age of 16 by founding and managing the first record label for her Center for Performing Arts School. Credle has had a close relationship with music her whole life. Tamara has been appointed head of music strategy. While still providing quality original composition and music supervision services, this team will bring more focus to strategy, finding innovative ways for music and sound to serve brands while also championing composers and artists, especially from underrepresented groups. SixtyFour Music has recently restructured their New York team, marking a new chapter for the award winning creative music agency.
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